Epstein Secrets

don analog formats, and in return provides easy—all too easy?—reproduction of artworks with almost perfect fidelity. But there is a huge hidden cost. Orwell’s Ministry of Truth is now a practical possibility. AI techniques for creating all-but-undetectable forgeries of “recordings” of encounters are now b

nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire

of data is not limited to corporations: In totalitarian states, or even nominally democratic ones, governments know things about their citizens that Orwell could not have imagined. The use they make of this information may not always be transparent or possible to counter. The prospect of AI for military

and results.” 143 HOUSE_OVERSIGHT_016946 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book

don analog formats, and in return provides easy—all too easy?—reproduction of artworks with almost perfect fidelity. But there is a huge hidden cost. Orwell’s Ministry of Truth is now a practical possibility. AI techniques for creating all-but-undetectable forgeries of “recordings” of encounters are now b

nstitute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and dire

of data is not limited to corporations: In totalitarian states, or even nominally democratic ones, governments know things about their citizens that Orwell could not have imagined. The use they make of this information may not always be transparent or possible to counter. The prospect of AI for military

and results.” 143 HOUSE_OVERSIGHT_016363 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book