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lm is a defense of capitalism, his father's vision of finance (as seen through the Hal Holbrook character) and an homage to his father. At the time Oliver was also fascinated with the connection between the psyche of Latino Miami drug dealers from his earlier "Scarface" script and the American-born 28-
que Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the
lm is a defense of capitalism, his father's vision of finance (as seen through the Hal Holbrook character) and an homage to his father. At the time Oliver was also fascinated with the connection between the psyche of Latino Miami drug dealers from his earlier "Scarface" script and the American-born 28-
que Van Voorcn, both in their 80s, arc seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the d
lm is a defense of capitalism, his father's vision of finance (as seen through the Hal Holbrook character) and an homage to his father. At the time Oliver was also fascinated with the connection between the psyche of Latino Miami drug dealers from his earlier "Searface" script and the American-born 28-
oyfriend Shia work. At sundown Julia Koch has to race from reel to real life and explain to her husband where she has been all day. (He loves it.) Chuck Pfieffer plants a "Page Six" item and the next day socialites begin calling me to get into the film. Thursday, November 5, Shun Lee Restaurant, \Vest 65th St
m is a defense of capitalism, his father's vision of finance (as seen through the Hal Holbrooke character) and an homage to his father. At the time Oliver was also fascinated with the connection between the psyche of Latino Miami drug dealers from his earlier "Scarface" script and the American-born 28-
nd her friend Monique Van Vooren, both in their 80s, are seated in front of the fireplace. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the d
film is a defense of capitalism, his father's vision of finance (as seen through the Hal Holbrook character) and an homage to his father. At the time Oliver was also fascinated with the connection between the psyche of Latino Miami drug dealers from his earlier "Scarface" script and the American-born 28-
Page: HOUSE_OVERSIGHT_032005 →ique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the di
Page: HOUSE_OVERSIGHT_032007 →ending. Gekko is back in all his lovable titan splendor. Full-page photos of Michael and Donald run the next day in the tabloids. Never underestimate Oliver Stone's surprise endings. Twentieth Century Fox releases "Wall Street 2: The Money Never Sleeps" on April 23rd and it's got hit written all over it.
Page: HOUSE_OVERSIGHT_032009 →ilm is a defense of capitalism, his father's vision of finance (as seen through the Hal Holbrook character) and an homage to his father. At the time Oliver was also fascinated with the connection between the psyche of Latino Miami drug dealers from his earlier "Scarface" script and the American-born 28-
Page: HOUSE_OVERSIGHT_021235 →ique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the di
Page: HOUSE_OVERSIGHT_021237 →ilm is a defense of capitalism, his father's vision of finance (as seen through the Hal Holbrook character) and an homage to his father. At the time Oliver was also fascinated with the connection between the psyche of Latino Miami drug dealers from his earlier "Scarface" script and the American-born 28-
Page: HOUSE_OVERSIGHT_021242 →ique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the di
Page: HOUSE_OVERSIGHT_021243 →film is a defense of capitalism, his father's vision of finance (as seen through the Hal Holbrook character) and an homage to his father. It the time Oliver was also fascinated with the connection betwoon the psyche of Latino Miami drug dealers from his carlier Scartace" script and the American-born 28- t
Page: HOUSE_OVERSIGHT_032000 →ique Van Vooren, both in their 80s, are seated in front of the fireplace chatting in French. Production assistants fuss over them. Debonair macho man Chuck Pfieffer, who appeared in the original film, and I immediately invent a back story—I am his corporate wife-and we position ourselves on a couch next to the di
Page: HOUSE_OVERSIGHT_032001 →Entities connected to both Oliver and Chuck Pfieffer

Jeffrey Epstein
PERSON
Donald Trump
PERSON
Prince Charles
PERSON
Oliver Stone
PERSONThe New York Post
ORGANIZATION
New York
LOCATION
Eric Trump
PERSONEmmy Taylor
PERSON
Marc Rich
PERSON
Michael Douglas
PERSONPeggy Siegal
PERSON
George Mitchell
PERSON
Alan Dershowitz
PERSON
Woody Allen
PERSON
Melania Trump
PERSON
Lawrence Krauss
PERSONJulia
PERSON
Cynthia McFadden
PERSON
Audrey Hepburn
PERSON
Susan Sarandon
PERSON