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rate of knowledge accumulation. John von Neumann also has a cameo in Zhe Human Use of Human Beings, for game theory. What Wiener missed here was von Neumann’s seminal role in digitizing computation. Whereas analog communication degraded with distance, analog computing (like the Differential Analyzer) degr
inging the programmability of bits to the world of atoms. By digitizing not just designs but the construction of materials, the same lessons that von Neumann and Shannon taught us apply to exponentially increasing fabricational complexity. I’ve defined digital materials to be those constructed from a disc
THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book Understanding Media, Marshall McLuhan noted the ability of art to “a
rate of knowledge accumulation. John von Neumann also has a cameo in Zhe Human Use of Human Beings, for game theory. What Wiener missed here was von Neumann’s seminal role in digitizing computation. Whereas analog communication degraded with distance, analog computing (like the Differential Analyzer) degr
inging the programmability of bits to the world of atoms. By digitizing not just designs but the construction of materials, the same lessons that von Neumann and Shannon taught us apply to exponentially increasing fabricational complexity. I’ve defined digital materials to be those constructed from a disc
THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book Understanding Media, Marshall McLuhan noted the ability of art to “a
r machine, now known as a Universal Turing Machine, an arbitrary set of computing instructions could be encoded on that same tape. In the 1940s, von Neumann developed an abstract self-reproducing machine called a cellular automaton. In this case it occupied a finite subset of an infinite two- dimensional
erse: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and director of the Cognitive Systems Laboratory at UCLA. His most recent boo
r machine, now known as a Universal Turing Machine, an arbitrary set of computing instructions could be encoded on that same tape. In the 1940s, von Neumann developed an abstract self-reproducing machine called a cellular automaton. In this case it occupied a finite subset of an infinite two- dimensional
erse: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and director of the Cognitive Systems Laboratory at UCLA. His most recent boo
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