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rate of knowledge accumulation. John von Neumann also has a cameo in Zhe Human Use of Human Beings, for game theory. What Wiener missed here was von Neumann’s seminal role in digitizing computation. Whereas analog communication degraded with distance, analog computing (like the Differential Analyzer) degr
inging the programmability of bits to the world of atoms. By digitizing not just designs but the construction of materials, the same lessons that von Neumann and Shannon taught us apply to exponentially increasing fabricational complexity. I’ve defined digital materials to be those constructed from a disc
ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernated life is more important. — Nam June Paik, 1966 Artificial intelligence was not what artist
rate of knowledge accumulation. John von Neumann also has a cameo in Zhe Human Use of Human Beings, for game theory. What Wiener missed here was von Neumann’s seminal role in digitizing computation. Whereas analog communication degraded with distance, analog computing (like the Differential Analyzer) degr
inging the programmability of bits to the world of atoms. By digitizing not just designs but the construction of materials, the same lessons that von Neumann and Shannon taught us apply to exponentially increasing fabricational complexity. I’ve defined digital materials to be those constructed from a disc
ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernated life is more important. — Nam June Paik, 1966 Artificial intelligence was not what artist
r machine, now known as a Universal Turing Machine, an arbitrary set of computing instructions could be encoded on that same tape. In the 1940s, von Neumann developed an abstract self-reproducing machine called a cellular automaton. In this case it occupied a finite subset of an infinite two- dimensional
ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology &
r machine, now known as a Universal Turing Machine, an arbitrary set of computing instructions could be encoded on that same tape. In the 1940s, von Neumann developed an abstract self-reproducing machine called a cellular automaton. In this case it occupied a finite subset of an infinite two- dimensional
ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology &
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