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rate of knowledge accumulation. John von Neumann also has a cameo in Zhe Human Use of Human Beings, for game theory. What Wiener missed here was von Neumann’s seminal role in digitizing computation. Whereas analog communication degraded with distance, analog computing (like the Differential Analyzer) degr
inging the programmability of bits to the world of atoms. By digitizing not just designs but the construction of materials, the same lessons that von Neumann and Shannon taught us apply to exponentially increasing fabricational complexity. I’ve defined digital materials to be those constructed from a disc
r, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyon
ning, waiting in the lounge at JFK, I had had the bright idea to write my friend and longtime collaborator, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyone in Milan I should know. Once I was settled at the hotel, the phone began ringing and a procession
and public space; and fashion designer Miuccia Prada, who “requests your presence for tea this afternoon at Prada headquarters.” And thus, thanks to HUO, did the jet-lagged “great American visionary thinker” stumble and mumble his way through his first day in Milan, November 2011. HUO is sui generis:
rate of knowledge accumulation. John von Neumann also has a cameo in Zhe Human Use of Human Beings, for game theory. What Wiener missed here was von Neumann’s seminal role in digitizing computation. Whereas analog communication degraded with distance, analog computing (like the Differential Analyzer) degr
inging the programmability of bits to the world of atoms. By digitizing not just designs but the construction of materials, the same lessons that von Neumann and Shannon taught us apply to exponentially increasing fabricational complexity. I’ve defined digital materials to be those constructed from a disc
r, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyon
ning, waiting in the lounge at JFK, I had had the bright idea to write my friend and longtime collaborator, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyone in Milan I should know. Once I was settled at the hotel, the phone began ringing and a procession
and public space; and fashion designer Miuccia Prada, who “requests your presence for tea this afternoon at Prada headquarters.” And thus, thanks to HUO, did the jet-lagged “great American visionary thinker” stumble and mumble his way through his first day in Milan, November 2011. HUO is sui generis:
Bigelow's "Behavior, Purpose and Teleology" (1943); McCullouch & Pitts's "A Logical Calculus of the Ideas Immanent in Nervous Activity" (1943); von Neumann's book Theory of Games and Economic Behavior (with Oskar Morgenstem) 1944; Shannon's "A Mathematical Theory of Communication" (1948); Wiener's Cybe
Anca Dragan, George Dyson, Peter Galison, Neil Gershenfeld, Alison Gopnik, Tom Griffiths, Danny Hillis, Caroline A. Jones, David Kaiser, Seth Lloyd, Hans Ulrich Obrist, Judea Pearl, Sandy Pentland, Steven Pinker, Venki Ramakrishnan, Stuart Russell, Jaan Tallin, Max Tegmark, Frank Wilczek, and Stephen Wolfram. Ste
Caroline A. Jones, David Kaiser, Seth Lloyd, Hans Ulrich Obrist, Judea Pearl, Sandy Pentland, Steven Pinker, Ven
r machine, now known as a Universal Turing Machine, an arbitrary set of computing instructions could be encoded on that same tape. In the 1940s, von Neumann developed an abstract self-reproducing machine called a cellular automaton. In this case it occupied a finite subset of an infinite two- dimensional
tum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, L
and an external professor at the Santa Fe Institute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea
r machine, now known as a Universal Turing Machine, an arbitrary set of computing instructions could be encoded on that same tape. In the 1940s, von Neumann developed an abstract self-reproducing machine called a cellular automaton. In this case it occupied a finite subset of an infinite two- dimensional
tum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, L
and an external professor at the Santa Fe Institute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea
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