Epstein Secrets

ion. Tariko told Lillian Ross that he had done nothing of the sort. "Not me," he said. "Art dealers from all over the world are now asking me to buy Picassos, other Impressionists. I prefer Renaissance, Caravaggio. But I do not buy them. I'd rather invest in my freedom, rather than in my walls." Find th

In books, the billionaire has become a symbol of ultimate power and freedom—they're Gatsbys, yes, but they own the light at the end of the dock. In Michael Tolkin's The Return of the Player, the player tries to make a fortune working for a $750,000,000 man (a pauper) and the billionaire who pulls his strings. T

ion. Tariko told Lillian Ross that he had done nothing of the sort. "Not me," he said. "Art dealers from all over the world are now asking me to buy Picassos, other Impressionists. I prefer Renaissance, Caravaggio. But I do not buy them. I'd rather invest in my freedom, rather than in my walls." Find th

In books, the billionaire has become a symbol of ultimate power and freedom—they're Gatsbys, yes, but they own the light at the end of the dock. In Michael Tolkin's The Return of the Player, the player tries to make a fortune working for a $750,000,000 man (a pauper) and the billionaire who pulls his strings. T

ion. Tariko told Lillian Ross that he had done nothing of the sort. "Not me," he said. "Art dealers from all over the world are now asking me to buy Picassos, other Impressionists. I prefer Renaissance, Caravaggio. But I do not buy them. I'd rather invest in my freedom, rather than in my walls." Find th

In books, the billionaire has become a symbol of ultimate power and freedom—they're Gatsbys, yes, but they own the light at the end of the dock. In Michael Tolkin's The Return of the Player, the player tries to make a fortune working for a $750,000,000 man (a pauper) and the billionaire who pulls his strings. T