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r anymore than they belong to the people quoted in the book: Norbert Wiener, Karl Lashley, George Kubler, J. Z. Young, John Lilly, Marshall McLuhan, Stewart Brand, Heinz von Foerster, Edward T. Hall, Alfred North Whitehead, W. Grey Walter, Kenneth Sayre, Rene Descartes, Benjamin Lee Whorf, Niels Bohr, Rene Dub
J. Andrade e Silva, P. W. Bridgman, R. Buckminster Fuller, Sir Arthur Eddington, William Empson, C. G. Jung, Bertrand Russell, William Butler Yeats, John McHale, Rudolph Wurlitzer, Ihab Hassan, T. E. Hulme, Simone Weil, Samuel Beckett, David Pears, Main Robbe-Grillet, Victor Gioscia, Hugo von Hofmannsthal, N
nding Media: The Extensions of Man (New York: McGraw-Hill Book Company, 1964), p.26. keEffect involves the . . . of information movement.' A A A 9. Stuart Brand, correspondence. AceAll thataTMs traceably ... except through effects.' A A J.. Heinz von Foerster, aceLogical Structure of Environment and Its Inte
ficeOne beats and . . . Be merely oneself% 117. Eliot, aceFour Quartets,fi op. cit., p. 114. aceA people without . . . Of timeless moments.ft 118. John McHale, correspondence. Sec McHale, John, The Future of the Future (New York: George Broodier, 1969). ficeAhistory: Amen.A 119 Eliot, aceFour Quartets,fi
window into the cold room. Wiping it off, I saw “the” computer. I fell in love. Later, in the Fall of 1967, I went to Menlo Park to spend time with Stewart Brand, whom I had met in New York in 1965 when he was a satellite member of the USCO group of artists. Now, with his wife Lois, a mathematician, he was pre
rs since: “new technologies = new perceptions.” Inspired by communications theorist Marshall McLuhan, architect-designer Buckminster Fuller, futurist John McHale, and cultural anthropologists Edward T. (Ned) Hall and Edmund Carpenter, I started reading avidly in the field of information theory, cybernetics, an
window into the cold room. Wiping it off, I saw “the” computer. I fell in love. Later, in the Fall of 1967, I went to Menlo Park to spend time with Stewart Brand, whom I had met in New York in 1965 when he was a satellite member of the USCO group of artists. Now, with his wife Lois, a mathematician, he was pre
rs since: “new technologies = new perceptions.” Inspired by communications theorist Marshall McLuhan, architect-designer Buckminster Fuller, futurist John McHale, and cultural anthropologists Edward T. (Ned) Hall and Edmund Carpenter, I started reading avidly in the field of information theory, cybernetics, an
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