Epstein Secrets

37) EFTA00861157 'this is how teenagers dated in the 1950s EFTA00861158 High school fashion feature in Life Magazine (1969) EFTA00861159 G: Frank Sinatra stepping out of a helicopter with a drink EFTA00861160 Dean Martin & Angie Dickinson on the set of Rio Bravo, 1959 EFTA00861161 Girl with typew

ecording contract. At the time, Cole was considered a leading jazz pianist, appearing in the first Jan at the Philharmonic concerts (credited on the Mercury Record label as "Shorty Nadine" — derived from his wife's name — as he was under exclusive contract to Capitol Records at the time). His revolutionar

mmy's in 1963 for his Count Basie arrangement of "I Can't Stop Loving You." Quincy's three-year musical association as conductor and arranger with Frank Sinatra in the mid-6o's also teamed him with Basie for the classic Sinatra At The Sands, containing the famous arrangement of "Fly Me To The Moon," the fi

n tutor to American expatriate composers such as Leonard Bernstein and Aaron Copeland. To subsidize his studies he took a job with Barclay Disques, Mercury's French distributor. Among the artists he recorded in Europe were Charles Aznavour, Jacques Brel and Henri Salvador, as well as such visitors fro

r the years led to two hosting assignments in the 1980s: “Rock School” on PBS and Showtime’s “Coast To Coast”. After an adventurous 1994 project for Mercury Records, ‘Dis Is Da Drum’, he moved to the Verve label, forming an all-star band to record 1996’s Grammy- winning ‘The New Standard’. In 1997, an albu

Grammy’s in 1963 for his Count Basie arrangement of “I Can’t Stop Loving You.” Quincy’s three-year musical association as conductor and arranger with Frank Sinatra in the mid-60’s also teamed him with Basie for the classic Sinatra At The Sands, containing the famous arrangement of “Fly Me To The Moon,” the first