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eagues, including John von Neumann and Claude Shannon, who were interested in the commercialization of the new technologies. Second, computer pioneer John McCarthy disliked Wiener and refused to use Wiener’s term “Cybernetics.” McCarthy, in turn, coined the term “artificial intelligence” and became a founding fa
Shannon, and Marshall McLuhan, all of whom had currency in the New York art circles in which I was then moving. In particular, Cage had picked up on McLuhan’s idea that by inventing electronic technologies we had externalized our central nervous system—that is, our minds—and that we now had to presume tha
achines should not replace Homo in situations requiring respect, dignity, or care, while others (author Pamela McCorduck and computer scientists like John McCarthy and Bill Hibbard) replied that machines can be more impartial, calm, and consistent and less abusive or mischievous than people in such positions. E
s of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book Understanding Media, Marshall McLuhan noted the ability of art to “anticipate future social and technological developments.” Art is “an early alarm system,” pointing us to new development
eagues, including John von Neumann and Claude Shannon, who were interested in the commercialization of the new technologies. Second, computer pioneer John McCarthy disliked Wiener and refused to use Wiener’s term “Cybernetics.” McCarthy, in turn, coined the term “artificial intelligence” and became a founding fa
Shannon, and Marshall McLuhan, all of whom had currency in the New York art circles in which I was then moving. In particular, Cage had picked up on McLuhan’s idea that by inventing electronic technologies we had externalized our central nervous system—that is, our minds—and that we now had to presume tha
achines should not replace Homo in situations requiring respect, dignity, or care, while others (author Pamela McCorduck and computer scientists like John McCarthy and Bill Hibbard) replied that machines can be more impartial, calm, and consistent and less abusive or mischievous than people in such positions. E
s of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book Understanding Media, Marshall McLuhan noted the ability of art to “anticipate future social and technological developments.” Art is “an early alarm system,” pointing us to new development
Entities connected to both Joseph McCarthy and McLuhan

Marc Rich
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Prince Andrew
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J. Robert Oppenheimer
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Michael Cohen
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George W. Bush
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Julie K. Brown
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Barack Obama
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Stephen Hawking
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Harvey Weinstein
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Alan Dershowitz
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Eric Trump
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Martha Stewart
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Marvin Minsky
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John Brockman
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Joe Biden
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Michael Douglas
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Wilbur Ross
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Carpenter
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Frank Wilczek
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