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eagues, including John von Neumann and Claude Shannon, who were interested in the commercialization of the new technologies. Second, computer pioneer John McCarthy disliked Wiener and refused to use Wiener’s term “Cybernetics.” McCarthy, in turn, coined the term “artificial intelligence” and became a founding fa
dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
achines should not replace Homo in situations requiring respect, dignity, or care, while others (author Pamela McCorduck and computer scientists like John McCarthy and Bill Hibbard) replied that machines can be more impartial, calm, and consistent and less abusive or mischievous than people in such positions. E
itique it.” 173 HOUSE_OVERSIGHT_016976 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
eagues, including John von Neumann and Claude Shannon, who were interested in the commercialization of the new technologies. Second, computer pioneer John McCarthy disliked Wiener and refused to use Wiener’s term “Cybernetics.” McCarthy, in turn, coined the term “artificial intelligence” and became a founding fa
dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
achines should not replace Homo in situations requiring respect, dignity, or care, while others (author Pamela McCorduck and computer scientists like John McCarthy and Bill Hibbard) replied that machines can be more impartial, calm, and consistent and less abusive or mischievous than people in such positions. E
itique it.” 173 HOUSE_OVERSIGHT_016393 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
Entities connected to both Joseph McCarthy and the Department of Architecture

Prince Andrew
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Marc Rich
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Jeffrey Epstein
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Donald Trump
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J. Robert Oppenheimer
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Steve Bannon
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Steven Mnuchin
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William Barr
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George W. Bush
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Justin Trudeau
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Julie K. Brown
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Barack Obama
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Stephen Hawking
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Eric Trump
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Harvey Weinstein
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Joe Biden
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Alan Dershowitz
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Marvin Minsky
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