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Another example is the nineteenth-century Lunar Society of Birmingham, an informal club of the leading cultural figures of the new industrial age -- James Watt, Erasmus Darwin, Josiah Wedgewood, Joseph Priestly, and Benjamin Franklin. In a similar fashion, Edge's, through its Master Classes, gathers togethe
Invisible College was a precursor to the Royal Society. Its members consisted of scientists such as Robert Boyle, John Wallis, and Robert Hooke. The Society's common theme was to acquire knowledge through experimental investigation. Another example is the nineteenth-century Lunar Society of Birmingham,
ther example is the nineteenth-century Lunar Society of Birmingham, an informal club of the leading cultural figures of the new industrial age -- James Watt, Erasmus Darwin, Josiah Wedgewood, Joseph Priestly, and Benjamin Franklin. In a similar fashion, Edge's, through its Master Classes, gathers toge
isible College was a precursor to the Royal Society. Its members consisted of scientists such as Robert Boyle, John Wallis, and Robert Hooke. The Society's common theme was to acquire knowledge through experimental investigation. Another example is the nineteenth-century Lunar Society of Birmingham,
ntury. 174 HOUSE_OVERSIGHT_016977 from kuber- to guber—the root of “gubernatorial” and “governor,” another term for masculine control, deployed by James Watt to describe his 19th-century device for modulating a runaway steam engine. Cybernetics thus took ideas that had long analogized people and devices an
6 Artificial intelligence was not what artists first wanted out of cybernetics, once Norbert Wiener’s Zhe Human Use of Human Beings: Cybernetics and Society came out in 1950. The range of artists who identified themselves with cybernetics in the fifties and sixties initially had little access to “thinking
ntury. 174 HOUSE_OVERSIGHT_016394 from kuber- to guber—the root of “gubernatorial” and “governor,” another term for masculine control, deployed by James Watt to describe his 19th-century device for modulating a runaway steam engine. Cybernetics thus took ideas that had long analogized people and devices an
6 Artificial intelligence was not what artists first wanted out of cybernetics, once Norbert Wiener’s Zhe Human Use of Human Beings: Cybernetics and Society came out in 1950. The range of artists who identified themselves with cybernetics in the fifties and sixties initially had little access to “thinking
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