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lub meetings, I got to know two young researchers who were about to play key roles in revolutionizing computer science. At MIT in the late seventies, Danny Hillis developed the algorithms that made possible the massively parallel computer. In 1983, his company, Thinking Machines, built the world's fastest super
ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology &
to form civilizations. This grand evolutionary loop can now be closed, with atoms arranging bits arranging atoms. 119 HOUSE_OVERSIGHT_016922 While Danny Hillis was an undergraduate at MIT, he built a computer out of Tinkertoys. It has around 10,000 wooden parts, plays tic-tac-toe, and never loses; it’s now i
ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernated life is more important. — Nam June Paik, 1966 Artificial intelligence was not what artist
lub meetings, I got to know two young researchers who were about to play key roles in revolutionizing computer science. At MIT in the late seventies, Danny Hillis developed the algorithms that made possible the massively parallel computer. In 1983, his company, Thinking Machines, built the world's fastest super
ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology &
to form civilizations. This grand evolutionary loop can now be closed, with atoms arranging bits arranging atoms. 119 HOUSE_OVERSIGHT_016339 While Danny Hillis was an undergraduate at MIT, he built a computer out of Tinkertoys. It has around 10,000 wooden parts, plays tic-tac-toe, and never loses; it’s now i
ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernated life is more important. — Nam June Paik, 1966 Artificial intelligence was not what artist
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