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ack. There are, as I can see it, three issues and if each can be addressed, with a third round of checking, you might think differently. I have had Lynne send on names. I) The repertoire. The works we do are worth doing, sometimes because a masterpiece is unearthed, and sometimes, something good but
2013 13:59:41 +0000 The Cage concert is both a good and bad example. Check in contrast the impact of the parallel programs in the previous years on Henry Cowell and Walter Piston. It would not have worked as you suggest--a lecture demo, and would have cost the same. The three pieces by Cage--two of which we
ack. There are, as I can see it, three issues and if each can be addressed, with a third round of checking, you might think differently. I have had Lynne send on names. 1) The repertoire. The works we do are worth doing, sometimes because a masterpiece is unearthed, and sometimes, something good but
ubject: Re: Thanks The Cage concert is both a good and bad example. Check in contrast the impact of the parallel programs in the previous years on Henry Cowell and Walter Piston. It would not have worked as you suggest--a lecture demo, and would have cost the same. The three pieces by Cage--two of which we
ack. There are, as I can see it, three issues and if each can be addressed, with a third round of checking, you might think differently. I have had Lynne send on names. 1) The repertoire. The works we do are worth doing, sometimes because a masterpiece is unearthed, and sometimes, something good but
ubject: Re: Thanks The Cage concert is both a good and bad example. Check in contrast the impact of the parallel programs in the previous years on Henry Cowell and Walter Piston. It would not have worked as you suggest--a lecture demo, and would have cost the same. The three pieces by Cage--two of which we
ack. There are, as I can see it, three issues and if each can be addressed, with a third round of checking, you might think differently. I have had Lynne send on names. 1) The repertoire. The works we do are worth doing, sometimes because a masterpiece is unearthed, and sometimes, something good but
ubject: Re: Thanks The Cage concert is both a good and bad example. Check in contrast the impact of the parallel programs in the previous years on Henry Cowell and Walter Piston. It would not have worked as you suggest--a lecture demo, and would have cost the same. The three pieces by Cage--two of which we
ack. There are, as I can see it, three issues and if each can be addressed, with a third round of checking, you might think differently. I have had Lynne send on names. 1) The repertoire. The works we do are worth doing, sometimes because a masterpiece is unearthed, and sometimes, something good but
ubject: Re: Thanks The Cage concert is both a good and bad example. Check in contrast the impact of the parallel programs in the previous years on Henry Cowell and Walter Piston. It would not have worked as you suggest--a lecture demo, and would have cost the same. The three pieces by Cage--two of which we
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