Epstein Secrets

s. Arbus balances the play's wit and exuberant humor with love that is composed of desire and distrust warmth and anger. Set in early 20th Century Sicily with original music by Michael Friedman, victorious soldiers return from war and set their sights on the peacetime pleasures of clever banter and

venues) RSVP to James Lynes, Capital Campaign Director (212) 229-2819 x 29 or jlvnesetfana.org Sponsored by Deloitte Much Ado About Nothing A tin Arbus, who has directed critically acclaimed productions of Othello, Macbeth and The Taming of the Shrew for Theater for a New Audience stages Shakespea

s. Arbus balances the play's wit and exuberant humor with love that is composed of desire and distrust warmth and anger. Set in early 20th Century Sicily with original music by Michael Friedman, victorious soldiers return from war and set their sights on the peacetime pleasures of clever banter and

Please Join Us for Any Performance Running now through April 6, 2013 The Duke on 2" Street Sponsm f d by Deloitte. Much Ado About Nothing A rin Arbus, who has directed critically acclaimed productions of Othello, Macbeth and The Taming of the Shrew for Theater for a New Audience stages Shakespea

Sunday at The Duke on 42nd Street contains all that and more. Directed by Arin Arbus, the polished presentation is set just before World War I in Sicily. Arbus, who also directed Shakespeare's "Othello" and "MacBeth" for the same theater company, here creates another dynamic, stylish staging. With

spotlight. Many actors do fine work—Amendt as fickle Claudio, Elizabeth Meadows Rouse as perky maid Ursula—but others, occasionally left adrift by Arbus, are still finding their footing. It scarcely matters, though, since Cake's confident, outsize high jinks operate as a kind of grounding force. He p

Sunday at The Duke on 42nd Street contains all that and more. Directed by Arin Arbus, the polished presentation is set just before World War I in Sicily. Arbus, who also directed Shakespeare's "Othello" and "MacBeth" for the same theater company, here creates another dynamic, stylish staging. With

spotlight. Many actors do fine work—Amendt as fickle Claudio, Elizabeth Meadows Rouse as perky maid Ursula—but others, occasionally left adrift by Arbus, are still finding their footing. It scarcely matters, though, since Cake's confident, outsize high jinks operate as a kind of grounding force. He p