Epstein Secrets

su with Tarouemon-kiln from 1968 to 1970, Paul Chaleff worked with Shigeyoshi Morioka and Takashi Nakazato in 1976 and 1977. Richard Bresnahan from Minnesota, Bob Okazaki from the US, Felix Strohmeier from Austria, and a Norwegian, Soren Ubish were all friends who worked with Nakazato and Morioka in the

e explained the mistake to a gentleman who happened to be standing by and talking to EFTA00540639 Paul. It turned out that he was the Director of the Department of Architecture and Design at the Museum of Modern Art, Arthur Drexler. He knew about Paul through Rand Castile. Later MoMA purchased four of his wood-fired works

the algorithm: its promise of objectivity. Scientific objectivity has a history. That might seem surprising. Isn’t the notion—expressed above by the Minnesota psychologists—right? Isn’t objectivity co- extensive with science itself? Here it’s worth stepping back to reflect on all the epistemic virtues we mi

itique it.” 173 HOUSE_OVERSIGHT_016976 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P

the algorithm: its promise of objectivity. Scientific objectivity has a history. That might seem surprising. Isn’t the notion—expressed above by the Minnesota psychologists—right? Isn’t objectivity co- extensive with science itself? Here it’s worth stepping back to reflect on all the epistemic virtues we mi

itique it.” 173 HOUSE_OVERSIGHT_016393 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P