Epstein Secrets

' Subject: Re: Date: Mon, 07 Dec 2009 16:04:49 +0000 or abstract the openess of some of the letters. tsadeh as dancing girl, khaf as a stroke in a Kline. On Mon, Dec 7, 2009 at 10:53 AM, David Gelemter > wrote: Actually did that once. Thinking about the curves just as curves, like the curves of a w

ou don't miss a tick.... Does it bother you that sexuality, once the driving force of art, has been suppressed? Modigliani the last erotic painter; de Kooning a farcial encore; Giacommetti, whose early sadist surrealist pieces turn into a view of women as immovable obstacles (men move; women stand in their

:04 AM, Jeffrey Epstein <[email protected]> wrote: or abstract the openess of some of the letters. tsadeh as dancing girl, khaf as a stroke in a Kline. On Mon, Dec 7, 2009 at 10:53 AM, David Gelemter < wrote: Actually did that once. Thinking about the curves just as curves, like the curves of a w

tick.... Does it bother you that sexuality, once the driving force of art, has been suppressed? Modigliani EFTA00743229 the last erotic painter; de Kooning a farcial encore; Giacommetti, whose early sadist surrealist pieces turn into a view of women as immovable obstacles (men move; women stand in their

:04 AM, Jeffrey Epstein <[email protected]> wrote: or abstract the openess of some of the letters. tsadeh as dancing girl, khaf as a stroke in a Kline. On Mon, Dec 7, 2009 at 10:53 AM, David Gelemter H wrote: Actually did that once. Thinking about the curves just as curves, like the curves of a

u don't miss a tick.... Does it bother you that sexuality, once the driving force of art, has been suppressed? Modigliani the last erotic painter; de Kooning a farcial encore; Giacommetti, whose early sadist surrealist pieces turn into a view of women as immovable obstacles (men move; women stand in thei

Epstein Sent Mon 12/7/2009 4:04:49 PM Subject: Re: or abstract the openess of some of the letters. tsadeh as dancing girl, khaf as a stroke in a Kline. On Mon, Dec 7, 2009 at 10:53 AM, David Gelemter •: a> wrote: Actually did that once. Thinking about the curves just as curves, like the curves of

bother you that sexuality, once the driving force of art, has been suppressed? Modigliani EFTA_R1_00194685 EFTA01821460 the last erotic painter; de Kooning a farcial encore; Giacommetti, whose early sadist surrealist pieces turn into a view of women as immovable obstacles (men move; women stand in thei

04 AM, Jeffrey Epstein <[email protected]> wrote: or abstract the openess of some of the letters. tsadeh as dancing girl, khaf as a stroke in a Kline. On Mon, Dec 7, 2009 at 10:53 AM, David Gelemter <david.gelemter(gmail.com> wrote: Actually did that once. Thinking about the curves just as curves

u don't miss a tick.... Does it bother you that sexuality, once the driving force of art, has been suppressed? Modigliani the last erotic painter; de Kooning a farcial encore; Giacommetti, whose early sadist surrealist pieces turn into a view of women as immovable obstacles (men move; women stand in thei

:04 AM, Jeffrey Epstein jeevacation@smail,com> wrote: or abstract the openess of some of the letters. tsadeh as dancing girl, khaf as a stroke in a Kline. On Mon, Dec 7, 2009 at 10:53 AM, David Gelemter <[email protected]> wrote: Actually did that once. Thinking about the curves just as curves

ou don't miss a tick.... Does it bother you that sexuality, once the driving force of art, has been suppressed? Modigliani the last erotic painter; de Kooning a farcial encore; Giacommetti, whose early sadist surrealist pieces turn into a view of women as immovable obstacles (men move; women stand in thei

4 AM, Jeffrey Epstein <jeevacation@gmail corn> wrote: or abstract the openess of some of the letters. tsadeh as dancing girl, khaf as a stroke in a Kline. On Mon, Dec 7, 2009 at 10:53 AM, David Gelemter < wrote: Actually did that once. Thinking about the curves just as curves, like the curves of a w

ou don't miss a tick.... Does it bother you that sexuality, once the driving force of art, has been suppressed? Modigliani the last erotic painter; de Kooning a farcial encore; Giacommetti, whose early sadist surrealist pieces turn into a view of women as immovable obstacles (men move; women stand in thei