Epstein Secrets

he original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing st

racking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m. and Lord William Astor arrives to pick me up for Amalia Dayan and Adam Lindemann's dinner for artists uptown. Oliver is introduced to William and delights in calling him Lord as he immediately moves him into t

the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing s

racking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m. and Lord William Astor arrives to pick me up for Amalia Dayan and Adam Lindemann's art dinner uptown. Oliver is introduced to William and delights in calling him Lord as he immediately moves him into the top o

the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the director’s mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing sto

tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m. and Lord William Astor arrives to pick me up for Amalia Dayan and Adam Lindemann's dinner for artists uptown. Oliver is introduced to William and delights in calling him Lord as he immediately moves him into th

railer on 65th Street and Madison Avenue. I carry four elaborate cocktail dresses and bags of matching accessories. My hair is in rollers. Statuesque Julia Koch walks over from her Park Avenue apartment carrying her white Valentino and long diamond earrings. Her real-life financial titan husband David is

tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m. and Lord William Astor arrives to pick me up for Amalia Dayan and Adam Lindemann's dinner for artists uptown. Oliver is introduced to William and delights in calling him Lord as he immediately moves him into th

railer on 65th Street and Madison Avenue. I carry four elaborate cocktail dresses and bags of matching accessories. My hair is in rollers. Statuesque Julia Koch walks over from her Park Avenue apartment carrying her white Valentino and long diamond earrings. Her real-life financial titan husband David is

tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m. and Lord William Astor arrives to pick me up for Amalia Dayan and Adam Lindemann's dinner for artists uptown. Oliver is introduced to William and delights in calling him Lord as he immediately moves him into the

the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing sto

tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m. and Lord William Astor arrives to pick me up for Amalia Dayan and Adam Lindemann's dinner for artists uptown. Oliver is introduced to William and delights in calling him Lord as he immediately moves him into the