Epstein Secrets

he original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing st

een takes. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m. and Lord William Astor arrives to pick me up for Amalia Dayan and Adam Lindemann's dinner for artists uptown. Oliver is introduced to William and delights in calling him

he original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, l arnish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing

een takes. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m. and Lord William Astor arrives to pick me up for Amalie Dayan and Adam Lindemann's dinner for artists uptown. Oliver is introduced to William and delights in calling him

linann popular social, owns candle company 2 Susan/John Hess- Hess Oil 2 Suzanne/Woody Johnson -Own football team Jets I Calvin Klein- designer 2 Julia/David Koch- Koch Industries I Jetty Leeds- investor and political 2 Jay McInerney-author/ Anne Hearst- granddaughter of William R. Hearst 2 Tobias

b 12 02:13:48 2010 Subject: Dinner Lists: 8:00pm Tuesday, Feb. 16th. Monkey Bar. I Waheed Alli 2 Christaine Amanpour (CNNYJamic Rubin 2 Annabel/William Astor 1 Jonathan Becker- photographer for Vanity Fair 2 Elena/Alberto Cortina-Spainish couple from Madrid who shoot 1 John Demsey- president of Lauder..

the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, !famish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing

een takes. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m. and Lord William Astor arrives to pick rue up for Amelia Dayan and Adam Lindeinann's dinner for artists uptown. Oliver is introduced to William and delights in calling hi

the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing s

s with us. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m. and Lord William Astor arrives to pick me up for Amalia Dayan and Adam Lindemann's art dinner uptown. Oliver is introduced to William and delights in calling him Lord as

the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the director’s mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing sto

ween takes. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m. and Lord William Astor arrives to pick me up for Amalia Dayan and Adam Lindemann's dinner for artists uptown. Oliver is introduced to William and delights in calling him L

railer on 65th Street and Madison Avenue. I carry four elaborate cocktail dresses and bags of matching accessories. My hair is in rollers. Statuesque Julia Koch walks over from her Park Avenue apartment carrying her white Valentino and long diamond earrings. Her real-life financial titan husband David is

ween takes. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m. and Lord William Astor arrives to pick me up for Amalia Dayan and Adam Lindemann's dinner for artists uptown. Oliver is introduced to William and delights in calling him L

railer on 65th Street and Madison Avenue. I carry four elaborate cocktail dresses and bags of matching accessories. My hair is in rollers. Statuesque Julia Koch walks over from her Park Avenue apartment carrying her white Valentino and long diamond earrings. Her real-life financial titan husband David is

tween takes. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m. and Lord William Astor arrives to pick me up for Amalia Dayan and Adam Lindemann's dinner for artists uptown. Oliver is introduced to William and delights in calling him Lo

the original film, and I immediately invent a back story—I am his corporate wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing sto

tween takes. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m. and Lord William Astor arrives to pick me up for Amalia Dayan and Adam Lindemann's dinner for artists uptown. Oliver is introduced to William and delights in calling him Lo