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rol, planning, estimation, learning, and cognitive science. Barely into her thirties herself, she has co-authored a number of papers with her veteran Berkeley colleague and mentor Stuart Russell which address various aspects of machine learning and the knotty problems of value alignment. She shares Stuart’
ces at UC Berkeley. She co-founded and serves on the steering committee for the Berkeley AI Research (BAIR) Lab and is a co-principal investigator in Berkeley’s Center for Human-Compatible AI. George Dyson is a historian of science and technology and the author of Baidarka: the Kayak, Darwin Among the Mach
tum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, L
and an external professor at the Santa Fe Institute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea
that she treats them coldly, as if they were mere laboratory animals. They appear to revel in her company, and in the blinking, thrumming toys in her Berkeley lab. For years after her own children had outgrown it, she kept a playpen in her office. Her investigations into just how we learn, and the parallel
r, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyon
ning, waiting in the lounge at JFK, I had had the bright idea to write my friend and longtime collaborator, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyone in Milan I should know. Once I was settled at the hotel, the phone began ringing and a procession
and public space; and fashion designer Miuccia Prada, who “requests your presence for tea this afternoon at Prada headquarters.” And thus, thanks to HUO, did the jet-lagged “great American visionary thinker” stumble and mumble his way through his first day in Milan, November 2011. HUO is sui generis:
rol, planning, estimation, learning, and cognitive science. Barely into her thirties herself, she has co-authored a number of papers with her veteran Berkeley colleague and mentor Stuart Russell which address various aspects of machine learning and the knotty problems of value alignment. She shares Stuart’
ces at UC Berkeley. She co-founded and serves on the steering committee for the Berkeley AI Research (BAIR) Lab and is a co-principal investigator in Berkeley’s Center for Human-Compatible AI. George Dyson is a historian of science and technology and the author of Baidarka: the Kayak, Darwin Among the Mach
tum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, L
and an external professor at the Santa Fe Institute. He is the author of Programming the Universe: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea
that she treats them coldly, as if they were mere laboratory animals. They appear to revel in her company, and in the blinking, thrumming toys in her Berkeley lab. For years after her own children had outgrown it, she kept a playpen in her office. Her investigations into just how we learn, and the parallel
r, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyon
ning, waiting in the lounge at JFK, I had had the bright idea to write my friend and longtime collaborator, the London-based, peripatetic art curator Hans Ulrich Obrist (known to all as HUO), and ask if there was anyone in Milan I should know. Once I was settled at the hotel, the phone began ringing and a procession
and public space; and fashion designer Miuccia Prada, who “requests your presence for tea this afternoon at Prada headquarters.” And thus, thanks to HUO, did the jet-lagged “great American visionary thinker” stumble and mumble his way through his first day in Milan, November 2011. HUO is sui generis:
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