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rol, planning, estimation, learning, and cognitive science. Barely into her thirties herself, she has co-authored a number of papers with her veteran Berkeley colleague and mentor Stuart Russell which address various aspects of machine learning and the knotty problems of value alignment. She shares Stuart’
ces at UC Berkeley. She co-founded and serves on the steering committee for the Berkeley AI Research (BAIR) Lab and is a co-principal investigator in Berkeley’s Center for Human-Compatible AI. George Dyson is a historian of science and technology and the author of Baidarka: the Kayak, Darwin Among the Mach
that has informed my endeavors since: “new technologies = new perceptions.” Inspired by communications theorist Marshall McLuhan, architect-designer Buckminster Fuller, futurist John McHale, and cultural anthropologists Edward T. (Ned) Hall and Edmund Carpenter, I started reading avidly in the field of information t
rol, planning, estimation, learning, and cognitive science. Barely into her thirties herself, she has co-authored a number of papers with her veteran Berkeley colleague and mentor Stuart Russell which address various aspects of machine learning and the knotty problems of value alignment. She shares Stuart’
ces at UC Berkeley. She co-founded and serves on the steering committee for the Berkeley AI Research (BAIR) Lab and is a co-principal investigator in Berkeley’s Center for Human-Compatible AI. George Dyson is a historian of science and technology and the author of Baidarka: the Kayak, Darwin Among the Mach
that has informed my endeavors since: “new technologies = new perceptions.” Inspired by communications theorist Marshall McLuhan, architect-designer Buckminster Fuller, futurist John McHale, and cultural anthropologists Edward T. (Ned) Hall and Edmund Carpenter, I started reading avidly in the field of information t
ns what technology has wrought. BY JENNIFER KAHN ("N ne day in June, Jaron Lanier was V lounging barefoot in the living room of his house in the Berkeley hills. Stretch- ing back on a wom sofa, he began musing about the connection between Represen- tative Anthony Weiner's tweeting of lewd photos and
ier was technologically precocious, as well as artistically minded, a mixture of traits that his father tried to nurture bygiv- ing him books about Buckminster Fuller. One Halloween when he was in gradc school, Lanier modified a television to generate Lissajous waves: shadowy black- and-white interference patter
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