Epstein Secrets

al humanity. He lives in what is described as the largest private residence in Manhattan, about 50,000 square feet in nine stories between Fifth and Madison on 71st. Visitors report a stuffed poodle is on the piano. The house, said one visitor, is like what Hollywood might imagine when it tries to show

ein has claimed he owned it.) In 198'Z Hoffenberg. according to sources, set Epstein up in the offices he still occu- pies in the Villard House. on Madison Av- enue, across a courtyard from the restaurant Le Cirque. Hoffenberg hired his new pro- tégé as a consultant at 525.000 a month. and the relation

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint," says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

rom ncifmat humanity. 1 le lives in what is described as the largest private residence in ;bout 50.000 square feet in nine stories between Fifth and Madison on 71st. Visitors report a qt-ufted poodle is on the piano. The house. said one visitor_ is like what Hollywood night imagine when 10 Show the supe

in has claimed he owned it.) In 1987, Hoffenberg, according to sources. set Epstein up in the offices he still occu- pies in the Villard House. on Madison Av- enue. across a courtyard from the restaurant Le Cirque. Hoffenberg hired his new pro- tégé as a consultant at 525.000 a month, and the relati

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

ein has claimed he owned it.) In 1987, Hoffenberg. according to sources. set Epstein up in the offices he still occu- pies in the Villard House. on Madison Av- enue. across a courtyard from the restaurant Le Cirque. Holfenberg hired his new pro- tege as a consultant at 525.000 a month. and the relation

everything he can about how the business works—not just the craft of acting. but from the producing standpoint, from the studio standpoint.- says Jon Gordon. exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

ein has claimed he owned it.) In 1987. Hoffenberg. according to sources. set Epstein up in the offices he still occu- pies in the Villard House. on Madison Av- enue. across a courtyard from the restaurant Le Cirque. Hoffenberg hired his new pro- tege as a consultant at 525.000 a month. and the relation

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- mar. "He knows how deals work. ft's what sets him apart. If he wanted to run a studio at some po

tein has claimed he owned it.) In 1987 Reifenberg, according to sources, set Epstein up in the offices he still occu- pies in the Villard House. on Madison Av- enue- across a courtyard from the restaurant Le Cirque. HolTenbers hired his new pro- tege as a consultant at 525,000 a month. and the relation

everything he can about how the business works—not just the craft of acting. but from the producing standpoint, from the studio standpoint," says Jon Gordon. exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

tein has claimed he owned it.) In 1987, Reifenberg according to sources, set Epstein up in the offices he still occu- pies in the Villard House. on Madison Av- enue. across a courtyard from the restaurant Le Cirque. Hoffenberg hired his new pro- tégé as a consultant at 515.000 a month. and the relation

everything he can about how the business works—not just the craft of acting, but from the producing standpoint. from the studio standpoint." says Jon Gordon, at- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to tun a studio at some poin