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often sends shows him with Andy Warhol and Bob Dylan, no less. But he's also one of the few people ar
ures" - the parallel universes of the ars and the sciences. When profilers ask him for pictures. one he often sends shows him with Andy Warhol and Bob Dylan, no less. But he's also one of the few people around who can phone Nobel laureates in science with a good chance that they will take the call. Cy
, who performed in conjunction with talks by Marshall McLuhan, introduced Brockman to several scientists and eventually arranged for him to meet McLuhan and his colleagues. In cyberspace. Brockman is best known for Edge.org. a site he founded as a continuation of what he describes as "a failed art
about the differences between atoms and bits. but the first time I heard it was from Marshall. For anyone who John Brockman with Andy Warhol and Bob Dylan In t he Factory.1966. Below. four of the Edge members whose thoughts on the internet arc included in Brockman'snew book (horn lett): Brian Eno,
yone who John Brockman with Andy Warhol and Bob Dylan In t he Factory.1966. Below. four of the Edge m
technology: "flower steering for the mind". 18 One of the concepts that people were talking about in the late 60s was `thecollective conscious". McLuhan made specific reference to it on many occasions. Cage used to talk about "the mind we all share". The cultural anthropologist Edward T Hall, who
res" - the parallel universes of the arts and the sciences. When profilers ask him for pictures, one he often sends shows him with Andy Warhol and Bob Dylan, no less. But he's also one of the few people around who can phone Nobel laureates in science with a good chance that they will take the call. Cy
often sends shows him with Andy Warhol and Bob Dylan, no less. But he's also one of the few people ar
G, who performed in conjunction with talksby Marshall McLuhan, introduced Brockman to several scientists and eventually arranged for him to meet McLuhan and his colleagues. In cyberspace, Brockman is best known for Edgeorg, a site he founded as a continuation of what he describes as "a failed art
eine Onassis, durch das Zeittableau. Während der Stern der Beatniks um Al- len Ginsberg und William Burroughs ins Sinken gerät und die Folkszene um Bob Dylan heraufdämmert, schaut Brockman bei Andy Warhol vorbei: nichts für ihn, das drogendurchtränkte Kollektiv in der Factory. Er muss sein eigener Herr
oughs ins Sinken gerät und die Folkszene um Bob Dylan heraufdämmert, schaut Brockman bei Andy Warhol v
en ist, die Kunst und die Wissenschaft und die psychedelischen, sen Stroboskopblitzen durchzuckten Shows, durch deren Klanggewirr ein Mar- shall McLuhan seine kommunikationstheo- retischen Botschaften posaunt. Im Esalen Institute, dein kaliforni- schen Bewusstseinslabor am Pazifik, hört er Vorträge
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