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n Turing wondered what it would take for machines to become intelligent. John von Neumann wondered what it would take for machines to self-reproduce. Claude Shannon wondered what it would take for machines to communicate reliably, no matter how much noise intervened. Norbert Wiener wondered how long it wo
dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
, “A Scientist Rebels,” Zhe Atlantic Monthly, January 1947. 31 Warren Weaver, “Recent Contributions to the Mathematical Theory of Communication,” in Claude Shannon & Warren Weaver, The Mathematical Theory of Communication (Urbana, IL: University of Illinois Press, 1949), p. 8 (emphasis in original). Shan
itique it.” 173 HOUSE_OVERSIGHT_016976 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
n Turing wondered what it would take for machines to become intelligent. John von Neumann wondered what it would take for machines to self-reproduce. Claude Shannon wondered what it would take for machines to communicate reliably, no matter how much noise intervened. Norbert Wiener wondered how long it wo
dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
, “A Scientist Rebels,” Zhe Atlantic Monthly, January 1947. 31 Warren Weaver, “Recent Contributions to the Mathematical Theory of Communication,” in Claude Shannon & Warren Weaver, The Mathematical Theory of Communication (Urbana, IL: University of Illinois Press, 1949), p. 8 (emphasis in original). Shan
itique it.” 173 HOUSE_OVERSIGHT_016393 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
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