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ECHILD,JOHN W EMMER,CURTIS HAVENICK,ARNOLD 159 SUNSET AVENUE LLC LEMOLE,GERALD
GOLDFARB,GENE PECORI,HELEN W DOWELL,ANTHONY W FOSTER,RIDGLEY M SNIDER,E
’s treatment of “information” sounded more like Matthew Arnold in 1869°? than Claude Shannon in 1948—more “body and spirit” than “bit.” Wiener shared Arnold’s Romantic view of the “content producer” as well. “Properly speaking the artist, the writer, and the scientist should be moved by such an irresistib
spectacular, she says, “they might have a larger influence on art,” because they provide artists with further possibilities in their creative work. McDowell added that he, too, believes there are false expectations around AI. “Tve observed,” he said, “that there’s a sort of magical quality to the idea of
’s treatment of “information” sounded more like Matthew Arnold in 1869°? than Claude Shannon in 1948—more “body and spirit” than “bit.” Wiener shared Arnold’s Romantic view of the “content producer” as well. “Properly speaking the artist, the writer, and the scientist should be moved by such an irresistib
spectacular, she says, “they might have a larger influence on art,” because they provide artists with further possibilities in their creative work. McDowell added that he, too, believes there are false expectations around AI. “Tve observed,” he said, “that there’s a sort of magical quality to the idea of
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