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various disciplines to talk and interact with each other. Participants included a who's who of cutting edge scientific intellectuals: H. Ross Ashby, Gregory Bateson, Julian H. Bigelow, Warren McCulloch, Margaret Mead, F.S.C. Northrop, Walter Pitts, Arturo Rosenthbleuth, John Von Neumann, Claude Shannon, Heinz Vo
Dennett, David Deutsch, Anca Dragan, George Dyson, Peter Galison, Neil Gershenfeld, Alison Gopnik, Tom Griffiths, Danny Hillis, Caroline A. Jones, David Kaiser, Seth Lloyd, Hans Ulrich Obrist, Judea Pearl, Sandy Pentland, Steven Pinker, Venki Ramakrishnan, Stuart Russell, Jaan Tallin, Max Tegmark, Frank Wil
Banerjee, Economist, MIT Albert-Laszlo Barabasi, Physicist, Computer Scientist, Notre Dame Simon Baron-Cohen, Neuroscientist, Cambridge University Gregory Bateson (Estate), Anthropologist Mary Catherine Bateson, Anthropologist, George Mason Univeristy Yochai Benkler, Internet Legal Expert, Harvard Benjamin B
rt Jourdain, Science Writer, Mendacino Lynne Jones, Sociologist, University of Cambridge Daniel Kahneman, Psychologist & Nobel Laureate, Princeton David Kaiser, Science Historian, Harvard Anya Kamenetz, Journalist, FAST COMPANY Rodger Kamenetz, Poet & Writer, Tulane Eric Kandel, Neurobiologist, Nobel Priz
nce I had an MBA from Colombia Business School, and a series of relative successes in business, I was dragooned into becoming an agent, initially for Gregory Bateson and John Lilly, whose books I sold quickly, and for sums that caught my attention, thus kick-starting my career as a literary agent. I never did mee
rg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology & Society. He is
nce I had an MBA from Colombia Business School, and a series of relative successes in business, I was dragooned into becoming an agent, initially for Gregory Bateson and John Lilly, whose books I sold quickly, and for sums that caught my attention, thus kick-starting my career as a literary agent. I never did mee
rg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology & Society. He is
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