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ne article described Deep Blue’s victory not as that of a computer, which was just a dumb machine, but as the victory of hundreds of programmers over Kasparov, a single individual. That way of programming is changing dramatically. After a long hiatus, the power of machine learning has taken off. Much of th
, we programmed computers using algorithms we understood at least in principle. So when machines did amazing things like beating world chess champion Garry Kasparov, we could say that the victorious programs were designed with algorithms based on our own understanding—using, in this instance, the experience and a
THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book Understanding Media, Marshall McLuhan noted the ability of art to “a
ne article described Deep Blue’s victory not as that of a computer, which was just a dumb machine, but as the victory of hundreds of programmers over Kasparov, a single individual. That way of programming is changing dramatically. After a long hiatus, the power of machine learning has taken off. Much of th
, we programmed computers using algorithms we understood at least in principle. So when machines did amazing things like beating world chess champion Garry Kasparov, we could say that the victorious programs were designed with algorithms based on our own understanding—using, in this instance, the experience and a
THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book Understanding Media, Marshall McLuhan noted the ability of art to “a
a vast selection of possible future moves. But the majority of predictions of AI, e.g., robotic maids, turned out to be illusory. When Deep Blue beat Garry Kasparov at chess in 1997, the most 20 HOUSE_OVERSIGHT_016823 powerful room-cleaning robot was a Roomba, which moved around vacuuming at random and squeake
erse: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and director of the Cognitive Systems Laboratory at UCLA. His most recent boo
a vast selection of possible future moves. But the majority of predictions of AI, e.g., robotic maids, turned out to be illusory. When Deep Blue beat Garry Kasparov at chess in 1997, the most 20 HOUSE_OVERSIGHT_016240 powerful room-cleaning robot was a Roomba, which moved around vacuuming at random and squeake
erse: A Quantum Computer Scientist Takes on the Cosmos. Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. Judea Pearl is professor of computer science and director of the Cognitive Systems Laboratory at UCLA. His most recent boo
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