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ne article described Deep Blue’s victory not as that of a computer, which was just a dumb machine, but as the victory of hundreds of programmers over Kasparov, a single individual. That way of programming is changing dramatically. After a long hiatus, the power of machine learning has taken off. Much of th
, we programmed computers using algorithms we understood at least in principle. So when machines did amazing things like beating world chess champion Garry Kasparov, we could say that the victorious programs were designed with algorithms based on our own understanding—using, in this instance, the experience and a
itique it.” 173 HOUSE_OVERSIGHT_016976 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
ne article described Deep Blue’s victory not as that of a computer, which was just a dumb machine, but as the victory of hundreds of programmers over Kasparov, a single individual. That way of programming is changing dramatically. After a long hiatus, the power of machine learning has taken off. Much of th
, we programmed computers using algorithms we understood at least in principle. So when machines did amazing things like beating world chess champion Garry Kasparov, we could say that the victorious programs were designed with algorithms based on our own understanding—using, in this instance, the experience and a
itique it.” 173 HOUSE_OVERSIGHT_016393 THE ARTISTIC USE OF CYBERNETIC BEINGS Caroline A. Jones Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
a vast selection of possible future moves. But the majority of predictions of AI, e.g., robotic maids, turned out to be illusory. When Deep Blue beat Garry Kasparov at chess in 1997, the most 20 HOUSE_OVERSIGHT_016823 powerful room-cleaning robot was a Roomba, which moved around vacuuming at random and squeake
dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
a vast selection of possible future moves. But the majority of predictions of AI, e.g., robotic maids, turned out to be illusory. When Deep Blue beat Garry Kasparov at chess in 1997, the most 20 HOUSE_OVERSIGHT_016240 powerful room-cleaning robot was a Roomba, which moved around vacuuming at random and squeake
dicine at USC, and author of The Pattern on the Stone: The Simple Ideas That Make Computers Work. Caroline A. Jones is a professor of art history in the Department of Architecture at MIT and author of Eyesight Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the P
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