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e a chemical transformation. In your canoe-view, moving horizontally from your stream to someone else's is like moving from a mountain brook to the Hudson to the Niagara; your sudden transit sideways to another stream, though it lands you in another texture of time (a parallel time) (& smashes your can
utiful women were no longer the fuel source of all human creativity. (But they always will be.) Scale: attchd painting is I 8x24 inches; belongs to Roger Hertog (an Art Saint); works well as an object to look at. But I'm now making a much larger version, approx 4x6 feet; & in a sense, it looks at you. It co
a chemical transformation. In your canoe-view, moving horizontally from your stream to someone else's is like moving from a mountain brook to the Hudson to the Niagara; your sudden transit sideways to another stream, though it lands you in another texture of time (a parallel time) (& smashes your can
autiful women were no longer the fuel source of all human creativity. (But they always will be.) Scale: attchd painting is 18x24 inches; belongs to Roger Hertog (an Art Saint); works well as an object to look at. But I'm now making a much larger version, approx 4x6 feet; & in a sense, it looks at you. It co
e a chemical transformation. In your canoe-view, moving horizontally from your stream to someone else's is like moving from a mountain brook to the Hudson to the Niagara; your sudden transit sideways to another stream, though it lands you in another texture of time (a parallel time) (& smashes your can
autiful women were no longer the fuel source of all human creativity. (But they always will be.) Scale: attchd painting is 18x24 inches; belongs to Roger Hertog (an Art Saint); works well as an object to look at. But I'm now making a much larger version, approx 4x6 feet; & in a sense, it looks at you. It co
e a chemical transformation. In your canoe-view, moving horizontally from your stream to someone else's is like moving from a mountain brook to the Hudson to the Niagara; your sudden transit sideways to another stream, though it lands you in another texture of time (a parallel time) (& smashes your ca
autiful women were no longer the fuel source of all human creativity. (But they always will be.) Scale: attchd painting is 18x24 inches; belongs to Roger Hertog (an Art Saint); works well as an object to look at. But I'm now making a much larger version, approx 4x6 feet; & in a sense, it looks at you. It co
e a chemical transformation. In your canoe-view, moving horizontally from your stream to someone else's is like moving from a mountain brook to the Hudson to the Niagara; your sudden transit sideways to another stream, though it lands you in another texture of time (a parallel time) (& smashes your ca
autiful women were no longer the fuel source of all human creativity. (But they always will be.) Scale: attchd painting is 18x24 inches; belongs to Roger Hertog (an Art Saint); works well as an object to look at. But I'm now making a much larger version, approx 4x6 feet; & in a sense, it looks at you. It co
e a chemical transformation. In your canoe-view, moving horizontally from your stream to someone else's is like moving from a mountain brook to the Hudson to the Niagara; your sudden transit sideways to another stream, though it lands you in another texture of time (a parallel time) (& smashes your ca
autiful women were no longer the fuel source of all human creativity. (But they always will be.) Scale: attchd painting is 18x24 inches; belongs to Roger Hertog (an Art Saint); works well as an object to look at. But I'm now making a much larger version, approx 4x6 feet; & in a sense, it looks at you. It co
a chemical transformation. In your canoe-view, moving horizontally from your stream to someone else's is like moving from a mountain brook to the Hudson to the Niagara; your sudden transit sideways to another stream, though it lands you in another texture of time (a parallel time) (& smashes your ca
autiful women were no longer the fuel source of all human creativity. (But they always will be.) Scale: attchd painting is 18x24 inches; belongs to Roger Hertog (an Art Saint); works well as an object to look at. But Pm now making a much larger version, approx 4x6 feet; & in a sense, it looks at you. It col
a chemical transformation. In your canoe-view, moving horizontally from your stream to someone else's is like moving from a mountain brook to the Hudson to the Niagara; your sudden transit sideways to another stream, though it lands you in another texture of time (a parallel time) (& smashes your ca
autiful women were no longer the fuel source of all human creativity. (But they always will be.) Scale: attchd painting is 18x24 inches; belongs to Roger Hertog (an Art Saint); works well as an object to look at. But I'm now making a much larger version, approx 4x6 feet; & in a sense, it looks at you. It co
a chemical transformation. In your canoe-view, moving horizontally from your stream to someone else's is like moving from a mountain brook to the Hudson to the Niagara; your sudden transit sideways to another stream, though it lands you in another texture of time (a parallel time) (& smashes your ca
autiful women were no longer the fuel source of all human creativity. (But they always will be.) Scale: attchd painting is 18x24 inches; belongs to Roger Hertog (an Art Saint); works well as an object to look at. But I'm now making a much larger version, approx 4x6 feet; & in a sense, it looks at you. It co
e a chem=cal transformation. In your canoe-view, moving horizontally from your stream to someone els.'s is like moving from a mountain brook to the Hudson to the Niagara; =our sudden transit sideways to another stream, though it lands you in anot=er texture of time (a parallel time) (& smashes your can
autiful women were no longer the =uel source of all human creativity. (But they always will be.) Scale: attchd painting is 18x24 inches; belongs to Roger Hertog (an Art=Saint); works well as an object to look at. But I'm now making a mu=h larger version, approx 4x6 feet; & in a sense, it looks at you. 1= col
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Jeffrey Epstein
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David Gelernter
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