Epstein Secrets

e a chemical transformation. In your canoe-view, moving horizontally from your stream to someone else's is like moving from a mountain brook to the Hudson to the Niagara; your sudden transit sideways to another stream, though it lands you in another texture of time (a parallel time) (& smashes your can

stein <[email protected]> To:' Subject: Re: Date: Mon, 07 Dec 2009 14:54:12 +0000 the lay them on their side On Mon, Dec 7, 2009 at 9:38 AM, David Gelemter < > wrote: Fair enough. (Int thought: thanks.) But the double-concave lines of shin & aleph, in a sense the "most important" letters, are beautifu

a chemical transformation. In your canoe-view, moving horizontally from your stream to someone else's is like moving from a mountain brook to the Hudson to the Niagara; your sudden transit sideways to another stream, though it lands you in another texture of time (a parallel time) (& smashes your can

6:04:49 +0000 or abstract the openess of some of the letters. tsadeh as dancing girl, khaf as a stroke in a Kline. On Mon, Dec 7, 2009 at 10:53 AM, David Gelemter > wrote: Actually did that once. Thinking about the curves just as curves, like the curves of a well-designed car (say aston db9, ferarri califomi

e a chemical transformation. In your canoe-view, moving horizontally from your stream to someone else's is like moving from a mountain brook to the Hudson to the Niagara; your sudden transit sideways to another stream, though it lands you in another texture of time (a parallel time) (& smashes your can

e: Mon, 07 Dec 2009 17:04:37 +0000 i understand, the corsets can be off to the sides of the canvass„ free yourself On Mon, Dec 7, 2009 at 11:54 AM, David Gelemter < > wrote: but these strokes are different from kline just b/c they have boundaries -- restraints -- corsets -- & therefore, tension. On Mon, Dec

e a chemical transformation. In your canoe-view, moving horizontally from your stream to someone else's is like moving from a mountain brook to the Hudson to the Niagara; your sudden transit sideways to another stream, though it lands you in another texture of time (a parallel time) (& smashes your ca

Subject: Re: or abstract the openess of some of the letters. tsadeh as dancing girl, khaf as a stroke in a Kline. On Mon, Dec 7, 2009 at 10:53 AM, David Gelemter •: a> wrote: Actually did that once. Thinking about the curves just as curves, like the curves of a well- designed car (say aston db9, fcrarri cali

a chemical transformation. In your canoe-view, moving horizontally from your stream to someone else's is like moving from a mountain brook to the Hudson to the Niagara; your sudden transit sideways to another stream, though it lands you in another texture of time (a parallel time) (& smashes your ca

12/7/2009 5:04:37 PM Subject: Re: i understand, the corsets can be off to the sides of the canvass„ free yourself On Mon, Dec 7, 2009 at 11:54 AM, David Gelemter wrote: but these strokes are different from kline just b/c they have boundaries -- restraints -- corsets -- & therefore, tension. On Mon, Dec 7, 2

a chemical transformation. In your canoe-view, moving horizontally from your stream to someone else's is like moving from a mountain brook to the Hudson to the Niagara; your sudden transit sideways to another stream, though it lands you in another texture of time (a parallel time) (& smashes your ca

To: From: Jeffrey Epstein Sent Mon 12/7/2009 5:14:23 PM Subject: Re: their beauty can be felt. On Mon, Dec 7, 2009 at 12:13 PM, David Gelemter ‹ > wrote: right, but corsets have their place too (Pm told they're coming back--?) (Will leave you alone, sorry -- I retract that.) On Mon, Dec 7