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when I see it” (U.S. Supreme Court Justice Potter Stewart, 1964) or the “wisdom of repugnance” (aka “yuck f
ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernated life is more important. — Nam June Paik, 1966 Artificial intelligence was not what artist
when I see it” (U.S. Supreme Court Justice Potter Stewart, 1964) or the “wisdom of repugnance” (aka “yuck f
ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. Cybernated art is very important, but art for cybernated life is more important. — Nam June Paik, 1966 Artificial intelligence was not what artist
eparing the first edition of The Whole Earth Catalog for publication. While Lois and the team did the heavy lifting on the final mechanicals for WEC, Stewart and I sat together in a corner for two days, reading, underlining, and annotating the same paperback copy of Cybernetics that Cage had handed to me t
ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology &
eparing the first edition of The Whole Earth Catalog for publication. While Lois and the team did the heavy lifting on the final mechanicals for WEC, Stewart and I sat together in a corner for two days, reading, underlining, and annotating the same paperback copy of Cybernetics that Cage had handed to me t
ht Alone: Clement Greenberg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology &
Entities connected to both Martha Stewart and The Global Work of Art

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Stephen Hawking
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Harvey Weinstein
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Vicky Ward
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