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the 1930s- 1940s: Godel's Incompleteness Theorems (1931); Turing's "On Computable Numbers, With An Application To The Entscheidungsproblem" (1936); Bateson's theory of "Schismogenesis" in Naven (1936); Rosenblueth, Weiner & Bigelow's "Behavior, Purpose and Teleology" (1943); McCullouch & Pitts's "A Logi
Dennett, David Deutsch, Anca Dragan, George Dyson, Peter Galison, Neil Gershenfeld, Alison Gopnik, Tom Griffiths, Danny Hillis, Caroline A. Jones, David Kaiser, Seth Lloyd, Hans Ulrich Obrist, Judea Pearl, Sandy Pentland, Steven Pinker, Venki Ramakrishnan, Stuart Russell, Jaan Tallin, Max Tegmark, Frank Wil
West; the =omputational socia)l scientist Alex "Sandy" Pentland; the computer scientist W. =aniel Hillis; the cultural anthropologist Mary =atherine Bateson; the arts curator Hans Ulrich Obrist; the genomics researcher =eorge Church; the molecular biologist Ventraman "Venki" Ramakrishnan, the =uantum me
n; the precision cosmologist Max =egmark; the robotocists Rodney Brooks and Chris Anderson, the science =istorians Peter Galison, George Dyson, and David Kaiser; the technologist Jaan Tallin; =he cognitive scientist Tom Griffiths, the writers Kevin Kelly and Pamela =cCorduck. As Daniel C. Dennett notes: "re
llough wanted to include mind. He turned to cultural anthropologists Gregory Bateson and Margaret Mead to make the connection to the social sciences. Bateson in particular was increasingly talking about patterns and processes, or “the pattern that connects.” He called for a new kind of systems ecology in w
rg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology & Society. He is
ly in the body but also in pathways outside the body, and there is a larger Mind, of which the individual mind is only a subsystem. This larger Mind, Bateson holds, is comparable to God, and is perhaps what some people mean by “God,” but it is still immanent in the total interconnected social system and pl
, prompting him to ask, “Do we need a new set of guiding metaphors?” 108 HOUSE_OVERSIGHT_016911 “INFORMATION” FOR WIENER, FOR SHANNON, AND FOR US David Kaiser David Kaiser is Germeshausen Professor of the History of Science and professor of Physics at MIT, and head of its Program in Science, Technology & Soc
llough wanted to include mind. He turned to cultural anthropologists Gregory Bateson and Margaret Mead to make the connection to the social sciences. Bateson in particular was increasingly talking about patterns and processes, or “the pattern that connects.” He called for a new kind of systems ecology in w
rg’s Modernism and the Bureaucratization of the Senses; Machine in the Studio: Constructing the Postwar American Artist; and The Global Work of Art. David Kaiser is Germeshausen Professor of the History of Science and professor of physics at MIT, and head of its Program in Science, Technology & Society. He is
ly in the body but also in pathways outside the body, and there is a larger Mind, of which the individual mind is only a subsystem. This larger Mind, Bateson holds, is comparable to God, and is perhaps what some people mean by “God,” but it is still immanent in the total interconnected social system and pl
ines to seem as smart as a mosquito, forever descending the cosmic gradients to an ultimate goal, whatever that may be. 107 HOUSE_OVERSIGHT_016327 David Kaiser is a physicist atypically interested in the intersection of his science with politics and culture, about which he has written widely. In the first m
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