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FERGUSON,LISA CONRAD,DONALD G CHENG,NANCY REGARD,PIERRE HARPEL,JAMES W
R,TIFFANY WHEELER,DENNIS J BARNHART,F GREGORY GEISLER,PETER BEYER,LAWRENCE
in a fictional postapocalyptic world of flora and fauna, in which AI-driven animals and creatures explore the landscape and interact with each other. Cheng uses advanced graphics but has them programmed with a lot of glitches and imperfections, which imparts a futuristic and anachronistic atmosphere at t
ls. Mind happens well outside the limits of the cranium (and its simulacrum, the “motherboard”). In Mary Catherine Bateson’s paraphrase of her father Gregory’s second-order cybernetics, mind is material “not necessarily defined by a boundary such as an envelope of skin.”°! Parreno pairs the simulations of
in a fictional postapocalyptic world of flora and fauna, in which AI-driven animals and creatures explore the landscape and interact with each other. Cheng uses advanced graphics but has them programmed with a lot of glitches and imperfections, which imparts a futuristic and anachronistic atmosphere at t
ls. Mind happens well outside the limits of the cranium (and its simulacrum, the “motherboard”). In Mary Catherine Bateson’s paraphrase of her father Gregory’s second-order cybernetics, mind is material “not necessarily defined by a boundary such as an envelope of skin.”°! Parreno pairs the simulations of
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