Epstein Secrets

From: John Brockman <-> Sent: Monday, December 31, 2012 6:05 PM To: Craig Venter; George Church; Nassim Nicholas Taleb; Jared Diamond; Richard Dawkins; Murray Gell-Mann; Martin Rees; Philip Campbell; Alun Anderson; Nathan Myhrvold; Paul Allen; Charles Simonyi; Bill Gates; Ginevra Elkann; Craig Mund

h; Nassim Nicholas Taleb; Jared Diamond; Richard Dawkins; Murray Gell-Mann; Martin Rees; Philip Campbell;

y/Edge =ollaboration in building a significant arts institution in Silicon =alley. This project is spearheaded by Hans Ulrich Obrist, Co-Director =f the Serpentine Gallery, who is considered to be the leading art =urator in the world. Interested? Let me know. Finally, spend New Year Eve watching the videos, published

been critiqued by evolutionary biologist Richard Dawkins, myself, and others. We can discuss “should” if f

oted that “science and religion occupy two separate realms.” This 166 HOUSE_OVERSIGHT_016386 division has been critiqued by evolutionary biologist Richard Dawkins, myself, and others. We can discuss “should” if framed as “we should do X in order to achieve Y.” Which Y should be a high priority is not necessaril

and results.” 143 HOUSE_OVERSIGHT_016363 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book

been critiqued by evolutionary biologist Richard Dawkins, myself, and others. We can discuss “should” if f

oted that “science and religion occupy two separate realms.” This 166 HOUSE_OVERSIGHT_016969 division has been critiqued by evolutionary biologist Richard Dawkins, myself, and others. We can discuss “should” if framed as “we should do X in order to achieve Y.” Which Y should be a high priority is not necessaril

and results.” 143 HOUSE_OVERSIGHT_016946 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book