Epstein Secrets

erials, which recall Ed Ruscha’s stain series and Andy Warhol’s oxidation paintings. Further, the Kool-Aid draw

the artist bounced basketballs—often covered in “Harlem dirt”—onto sheets of white paper. The transformat

using ragged basketballs sourced from New York’s Harlem neighborhood and Kool-aid that draw upon his pers

e, 1999) US (Brockman at the Factory with Andy Warhol and Bob Dylan 1967) Photo: Nat Finkelstein. Cop

bios/brocicman.html 3/13/2006 EFTA00261235 Edge: JOHN BROCKMAN Page 3 of 4 (Dolly, Roslyn Institute, 1999) US (Brockman at the Factory with Andy Warhol and Bob Dylan 1967) Photo: Nat Finkelstein. Copyright 0 Nat Finkelstein. US When we eit Were KIDS UK SCIENCE AT THE UK http://www.edge.org/

in Islands resident, while denying that his interest in the matter was influenced by tens of thousands of dollars donated by Virgin Islanders to the Harlem Democrat's recent re-election campaigns. As The New York Sun reported in front-page stories in 2003, tax breaks offered by the Virgin Islands's Ec

erials, which recall Ed Ruscha’s stain series and Andy Warhol’s oxidation paintings. Further, the Kool-Aid draw

the artist bounced basketballs—often covered in “Harlem dirt”—onto sheets of white paper. The transformat