Epstein Secrets

ing in all fields, including Nam June Paik, Andy Warhol, Robert Rauschenberg, Robert Whitman, and Claes O

nematheque and to initiate an Expanded Cinema Festival there. He invited many great New York artists working in all fields, including Nam June Paik, Andy Warhol, Robert Rauschenberg, Robert Whitman, and Claes Oldenburg, to make a work integrating film for a special performance. These activities led to an inv

one in the same. They were henceforth to be considered as a single circuit. aoelt was only after Afterwards was published in early 1973 that i met Gregory Bateson, Margaret Mead, and Heinz von Foerster,a remarked Brockman. In April of that year, a group that included von Foerster, Bateson, Zen philosopher Ala

Festival), under the auspices of avant-garde filmmaker and impresario Jonas Mekas. They included visual artists Claes Oldenburg, Robert Rauschenberg, Andy Warhol, Robert Whitman; kinetic artists Charlotte Moorman and Nam June Paik; happenings artists Allan Kaprow and Carolee Schneemann; dancer Tricia Brown; fi

Kuchar brothers; avant-garde dramatist Ken Dewey; poet Gerd Stern and the USCO group; minimalist musicians Lamonte Young and Terry Riley; and through Warhol, the music group, The Velvet Underground. Many of these people were reading Wiener, and cybernetics was in the air. It was at one of these dinners th

nce I had an MBA from Colombia Business School, and a series of relative successes in business, I was dragooned into becoming an agent, initially for Gregory Bateson and John Lilly, whose books I sold quickly, and for sums that caught my attention, thus kick-starting my career as a literary agent. I never did mee

Festival), under the auspices of avant-garde filmmaker and impresario Jonas Mekas. They included visual artists Claes Oldenburg, Robert Rauschenberg, Andy Warhol, Robert Whitman; kinetic artists Charlotte Moorman and Nam June Paik; happenings artists Allan Kaprow and Carolee Schneemann; dancer Tricia Brown; fi

Kuchar brothers; avant-garde dramatist Ken Dewey; poet Gerd Stern and the USCO group; minimalist musicians Lamonte Young and Terry Riley; and through Warhol, the music group, The Velvet Underground. Many of these people were reading Wiener, and cybernetics was in the air. It was at one of these dinners th

nce I had an MBA from Colombia Business School, and a series of relative successes in business, I was dragooned into becoming an agent, initially for Gregory Bateson and John Lilly, whose books I sold quickly, and for sums that caught my attention, thus kick-starting my career as a literary agent. I never did mee