Epstein Secrets

" campaign going from a May premiere in Cannes all the w=y to February. His team told him he could win Best Picture back in France but he had to se= Eastwood, Spielberg, Scorsese, Daldry, Payne and Fincher's work. We had =ust seen Woody Allen and Terry Malick's films in Cannes, which were conten=ers for

's take evaluating performances seriously and they hone=tly didn't think he deserved this particular acting award. Although Cloone= knew going into the Kodak Theater that it was a tight race, it was hard f=r him to lose to Jean Dujardin, who barely speaks English. Also annoying to Clooney is that Jean is a one f

directing this.” He says, “Youre wrong. He turned it down because he’s done it. He’s seen it and he loves it.” David O. Russell becomes my new Clint Eastwood. Christian Bale and Melissa Leo are hailed the supporting actors to beat. True Grit, directed by the Coen Brothers and also produced by Scott Rudin,

letcher and Stephen Gaghan and Mini Mortimer wearing her over- sized cat glasses. Bruce Cohen has invited me to the Oscar broadcast rehearsal. Inside the Kodak Theater’s massive audi- torium, I find a seat next to his proud parents. I watch Josh Brolin and Javier Bardem come out in white dinner jackets and flub their

hausted from campaigning. At Bryan Lourd's famous star studded party Sony Classics' Co-President Michael Barker announces to me he has taken a random the Kodak Theater „sampling of voters in the room. He "There will be a 'Social Network' Shear panic radiates from my every pore as he says, "I am joking." It's like co

eech" that edges out the competition for The Audience Prize. Mid-November David O. Russell and Mark wahlberg, working together for the third timelint Eastwood is sneak "The Fighter" in Manhattan. As their audience erupts in cheers, I tell producer/actor Wahlberg, "You are wrong. He turned it down because he