Epstein Secrets

Tom Hanks. Six years later at the Telluride Film Festival Tom Hooper is bathing in the glory of a hysterical standing ovation with Colin Firth and Geoffrey Rush at the very first screening of "The King's Speech." Surprisingly, HOUSE_OVERSIGHT_012690 --- PAGE BREAK --- this drama's subtle humor gets bi

k and one inch behind a couture-clad nominee. We greet Bryan Lourd as Sandra Bullock is talking to ABC-TV and a billion people see me wearing a black Marchesa gown. Five steps forward, three steps back, we next meet Gwyneth Paltrow. As I hook up the back of her dress another billion people see us correcting

No degrees of separation. At the Telluride Film Festival, Tom Hooper bathed in the glory of a hysterical standing ovation alongside Colin Firth and Geoffrey Rush at the very first public screening of that film. Two weeks later at The Toronto Film Festival, Harvey Weinstein stood with his filmmakers witnes

ack, one inch behind a couture-clad nominee. We greet Kevin Huvane as Sandra Bullock is talking to ABC-TV and a billion people see me wearing a black Marchesa gown. Five steps forward, three steps back, we next meet Gwyneth Paltrow, and I hook up the back of her dress while another billion people see me cor

te wife—and we position ourselves on a couch next to the director’s mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a sly grin and quickly re-

signer gowns and work at break neck speed styling while we wildly strip to our undies in a makeshift dressing area. Ellen pours me into a black tulle Marchesa with a enormous wired silver bow. Twenty hairdressers and make- up artists systematically work on 250 extras. A mile of tables are alternately filled

te wife—and we position ourselves on a couch next to the director's mother. Julia gets the best spot close to the piano and Amy, Hamish and decorator Geoffrey Bradfield are right behind her. Josh is brought in and the kibitzing stops. Oliver appears on the set with eagle eyes and a sly grin and quickly re-po

signer gowns and work at break neck speed styling while we wildly strip to our undies in a makeshift dressing area. Ellen pours me into a black tulle Marchesa with a enormous wired silver bow. Twenty hairdressers and make- up artists systematically work on 250 extras. A mile of tables are alternately filled