Epstein Secrets

und where they raise $6.5 million dollars in one night. I walk right into Valentino who gives me the once over and approves my outfit. I tell him and Giancarlo Giammetti that Woody Allen’s new film, “Midnight in Paris” is opening the Cannes Film Festival and they must bring the yacht. Woody is also filming all summer

on the elevator until I spot Benny Medina. Once on, I see the radiant Jennifer Lopez in the corner and remind her we met on Len Blavatnik’s yacht in Cannes. She graciously pretends to know me. Her manager, Benny Medina is kicking me. I slip into Colin Firth’s booth by the front bar to have a tete-a-tete

icture & Television Fund where they raise $6.5 million dollars in 1 night. I walk into Valentino, who gives me an approving once-over. I tell him and Giancarlo Giammetti that Woody Allen’s new film, Midnight in Paris, is opening the Cannes Film Festival and they must bring the yacht. Elton John and David Furnish join

a 400-pound gorilla refuses to let me on the elevator. Once on, I see Jennifer Lopez in the corner and remind her we met on Len Blavatnik’s yacht in Cannes. She graciously pretends to remember me. Her manager, Benny Medina, is kicking me. I slip into Colin Firth’s booth to have a téte-a-téte with him an

ure & Television Fund where they raise $6.5 million dollars in I night. I walk into Valentino, who gives me an approving once-over. I tell him and Giancarlo Giammetti that Woody Allen's new film, Midnight in Paris, is opening the Cannes Film Festival and they must bring the yacht. Elton John and David Furnish jo

400-pound gorilla refuses to let me on the elevator. Once on, I see Jennifer Lopez in the corner and remind her we met on Len Blavatnik's yacht in Cannes. She graciously pretends to remember me. Her manager, Benny Medina, is kicking me. I slip into Colin Firth's booth to have a tete-a-tare with him

d where they raise $6.5 million dollars in one night. I walk right into Valentino who gives me the once over and approves my outfit. I tell him and Giancarlo Giammetti that Woody Allen's new film, "Midnight in Paris" is opening the Cannes Film Festival and they must bring the yacht. Woody is also filming all summe

n the elevator until I spot Benny Medina. Once on, I see the radiant Jennifer Lopez in the corner and remind her we met on Len Blavatnik's yacht in Cannes. She graciously pretends to know me. Her manager, Benny Medina is kicking me. I slip into Colin Firth's booth by the front bar to have a tete-a-tet

und where they raise $6.5 million dollars in one night. I walk right into Valentino who gives me the once over and approves my outfit. I tell him and Giancarlo Giammetti that Woody Allen’s new film, “Midnight in Paris” is opening the Cannes Film Festival and they must bring the yacht. Woody is also filming all summer

on the elevator until I spot Benny Medina. Once on, I see the radiant Jennifer Lopez in the corner and remind her we met on Len Blavatnik’s yacht in Cannes. She graciously pretends to know me. Her manager, Benny Medina is kicking me. I slip into Colin Firth’s booth by the front bar to have a tete-a-tete

d to Eddie Murphy's opening dialogue on Oscar night in February. Next to Evan el Wc fa | am lunching and munching on pasta and pizza with Valentino, Giancarlo Giammetti, Bruce Hoeksema, Charlene de Ganay and Carlos Souza aka “the family.” Paul Giamatti, whose family changed their spelling, tells me he is actually re

s my clothes, | conclude that this is the year Hollywood embraces launching their Oscar-bound films oversees. The race began in May on the beaches of Cannes where Midnight in Paris and The Artist debuted with black-tie galas nightly. Late August, American and English films dominate the Venice waterfront