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nevra Elkann; Craig Mundie; Lori Park; Jimmy Wales; Jeffrey Epstein; Tim O'Reilly; J.E. Safra; Rodriguez; Larry Page; Sergey Brin; Salar Kamangar; Eric Schmidt; Mark Zuckerberg; Marissa Mayer; Elon Musk; Evan Williams; David Brooks; Sean Parker Dave Morin; John Lloyd; Terry Gilliam; Alfonso Cuarn; Jean Pig
z; Larry Page; Sergey Brin; Salar Kamangar; Eric Schmidt; Mark Zuckerberg; Marissa Mayer; Elon Musk; Evan
y/Edge =ollaboration in building a significant arts institution in Silicon =alley. This project is spearheaded by Hans Ulrich Obrist, Co-Director =f the Serpentine Gallery, who is considered to be the leading art =urator in the world. Interested? Let me know. Finally, spend New Year Eve watching the videos, published
man thought and human creativity and vision. Eric Schmidt, former chairman of Google’s parent company, said
. Whereas machines will no doubt do ever more amazing things, they’re unlikely to be a replacement for human thought and human creativity and vision. Eric Schmidt, former chairman of Google’s parent company, said in a recent interview at the London Science Museum that even designing a robot that would clear the
and results.” 143 HOUSE_OVERSIGHT_016363 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book
man thought and human creativity and vision. Eric Schmidt, former chairman of Google’s parent company, said
. Whereas machines will no doubt do ever more amazing things, they’re unlikely to be a replacement for human thought and human creativity and vision. Eric Schmidt, former chairman of Google’s parent company, said in a recent interview at the London Science Museum that even designing a robot that would clear the
and results.” 143 HOUSE_OVERSIGHT_016946 MAKING THE INVISIBLE VISIBLE: ART MEETS AI Hans Ulrich Obrist Hans Ulrich Obrist is artistic director of the Serpentine Gallery, London, and the author of Ways of Curating and Lives of the Artists, Lives of the Architects. In the Introduction to the second edition of his book
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