Epstein Secrets

ectors to distributors and helping simple film fans like you and me. Let’s not forget the geniuses, Steven Speilberg, Stephen Daldry, Clint Eastwood, David Fincher, Martin Scorcese and Jason Reitman who have bypassed the festival route. Let the race begin. HOUSE_OVERSIGHT_012746

s my clothes, | conclude that this is the year Hollywood embraces launching their Oscar-bound films oversees. The race began in May on the beaches of Cannes where Midnight in Paris and The Artist debuted with black-tie galas nightly. Late August, American and English films dominate the Venice waterfront

own to their equally hysterical audience who have just seen The Social Network. The film opens the next day to rave reviews and endless publicity. David Fincher is off making The Girl with the Dragon Tattoo. Aaron Sorkin becomes the face of the film and an immediate shoo-in for the adapted screenplay Oscar.

400-pound gorilla refuses to let me on the elevator. Once on, I see Jennifer Lopez in the corner and remind her we met on Len Blavatnik's yacht in Cannes. She graciously pretends to remember me. Her manager, Benny Medina, is kicking me. I slip into Colin Firth's booth to have a tete-a-tare with him

ilm 2 and 3 times. In January the Golden Globes voted on by about 88 foreign journalists gives Best Drama to "The Social Network", Best Director to David Fincher and Best Screenplay to Aaron Sorkin. Their film is still perceived as the Oscar winner. Team Weinstein underestimates their hard work and is in sho

n the elevator until I spot Benny Medina. Once on, I see the radiant Jennifer Lopez in the corner and remind her we met on Len Blavatnik's yacht in Cannes. She graciously pretends to know me. Her manager, Benny Medina is kicking me. I slip into Colin Firth's booth by the front bar to have a tete-a-tet

ore. There was buzz Daldry could be editing the winner. Producer Scott Rudin juggled his astounding three films in one year from Daldry, Miller and David Fincher directing "The Girl with the Dragon Tattoo." Daldry had received three consecutive directing nominations. In January, for his fourth film, he receiv

nces of the 2011 Oscar race for the most revered artistic honor in the world. This is how nine films fell into the big picture. Three premiered in Cannes mid-May, a distant nine months ago, creating an Oscar campaign as long as any human pregnancy. At the Palais, the first inkling of Oscar buzz was b

ances of the 2011 Oscar race for the most revered artistic honor in the world. This is how nine films fell into the big picture. Three premiered in Cannes mid-May, a distant nine months ago, creating an Oscar campaign as long as any human pregnancy. At the Palais, the first inkling of Oscar buzz was bor

him from a distance and gave him Best Original Screenplay as a consolation. Terrence Malicks long-awaited, esoteric The Tree of Life was unveiled at Cannes and won the coveted Palme D’Or, positioning it for a nomination. The Artist, created by the French, shot in Hollywood and about Hollywood was the fe

score. There was buzz Daldry could be editing the winner. Producer Scott Rudin juggled his astounding three films in one year from Daldry, Miller and David Fincher directing Girl with the Dragon Tattoo. Daldry has received three consecutive directing nominations. In January, for his fourth film, he received a B

own to their equally hysterical audience who have just seen "The Social Network". The film opens the next day to rave reviews and endless publicity. David Fincher is off making “The Girl with the Dragon Tattoo". Aaron Sorkin becomes the face of the film and an immediate shoo-in for an Oscar. The Hamptons Inter

on the elevator until I spot Benny Medina. Once on, I see the radiant Jennifer Lopez in the corner and remind her we met on Len Blavatnik’s yacht in Cannes. She graciously pretends to know me. Her manager, Benny Medina is kicking me. I slip into Colin Firth’s booth by the front bar to have a tete-a-tete

film 2 and 3 times. In January the Golden Globes voted on by about 88 foreign journalists gives Best Drama to "The Social Network", Best Director to David Fincher and Best Screenplay to Aaron Sorkin. Their film is still perceived as the Oscar winner. Team Weinstein underestimates their hard work and is in shoc

on the elevator until I spot Benny Medina. Once on, I see the radiant Jennifer Lopez in the corner and remind her we met on Len Blavatnik’s yacht in Cannes. She graciously pretends to know me. Her manager, Benny Medina is kicking me. I slip into Colin Firth’s booth by the front bar to have a tete-a-tete

g down to their equally hysterical audience who have just seen The Social Network. The film opens the next day to rave reviews and endless publicity. David Fincher is off making The Girl with the Dragon Tattoo. Aaron Sorkin becomes the face of the film and an immediate shoo-in for the adapted screenplay Oscar.

a 400-pound gorilla refuses to let me on the elevator. Once on, I see Jennifer Lopez in the corner and remind her we met on Len Blavatnik’s yacht in Cannes. She graciously pretends to remember me. Her manager, Benny Medina, is kicking me. I slip into Colin Firth’s booth to have a téte-a-téte with him an

ances of the 2011 Oscar race for the most revered artistic honor in the world. This is how nine films fell into the big picture. Three premiered in Cannes mid-May, a distant nine months ago, creating an Oscar campaign as long as any human pregnancy. At the Palais, the first inkling of Oscar buzz was bo

score. There was buzz Daldry could be editing the winner. Producer Scott Rudin juggled his astounding three films in one year from Daldry, Miller and David Fincher directing “The Girl with the Dragon Tattoo.” Daldry had received three consecutive directing nominations. In January, for his fourth film, he receiv