Epstein Secrets

iate family that I send drafts to is Jeffrey." Real-estate developer and philanthropisi Marshall Rose, who has worked with Epstein on projects in New Albany. Ohio. for Wexner. says. "He digests and decodes the information very rapidly, which is to me terrific because we have shorter meetings." Also on

everything he can about how the business works—not just the craft of acting. but from the producing standpoint, from the studio standpoint.- says Jon Gordon. exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

ediate Ramify that I send drafts to is kffrey." Real-estate developer and philanduopist Marshall Pone• who has worked with Epstein on projects in New Albany, Ohio. for Weiner. says. "He digests and decodes the information very rapidly, which is to me terrific because we have shorter meetings" Also on

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- mar. "He knows how deals work. ft's what sets him apart. If he wanted to run a studio at some po

iate firmly that I send drafts to is Jeffrey." Real-estate developer and philanthropist Marshall Rose, who has worlad with Epstein on projects in New Albany. Ohio, for Wexner. says. "He digests and decodes the information very rapidly, which is to me terrific because we have shorter meetings." Also on

everything he can about how the business works—not just the craft of acting. but from the producing standpoint, from the studio standpoint," says Jon Gordon. exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

mediate family that I send drafts to is Jeffrey: Real-estate dedoper and philanthropist Marshall Rose, who has worked with Epstein on projects in New Albany. Ohio, for Wexner. says. "He digests and decodes the information very rapidly, which is to me terrific because we have shorter meetings." Also on

everything he can about how the business works—not just the craft of acting, but from the producing standpoint. from the studio standpoint." says Jon Gordon, at- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to tun a studio at some poin

. Epstein runs a lean operation, and those close to him say that his actual staff— based here in Manhattan at the Villard House (home to Le Cirque); New Albany, Ohio; and St. Thomas, where he reincorporated his company seven years ago (now called Financial Trust Co.) — numbers around 150 and is purely admin

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

diate family that I send drafts to is Jef- frey." Real-estate developer and philanthropist Marshall Rose, who has worked with Epstein on projects in New Albany, Ohio, for Wexner, says, "He digests and decodes the information very rapidly, which is to me terrific because we have shorter meetings." Also on

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint," says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po

iate family that I send drafts to is Jeffrey." Real-estate developer and philanthropist Marshall Rose. who has worked with Epstein on projects in New Albany. Ohio, for Wexner, says. "He digests and decodes the information very rapidly, which is to me terrific because we have shorter meetings." Also on

everything he can about how the business works—not just the craft of acting, but from the producing standpoint, from the studio standpoint." says Jon Gordon, exec- utive vice president of production at Mira- max. "He knows how deals work. It's what sets him apart. If he wanted to run a studio at some po